October 13, 2021
Portrait of Meg Onli. (Photo by Marcus Maddox)
THE
UNDERGROUND MUSEUM in Los Angeles announced the appointment of Meg Onli as
director and curator. She joins the museum from the Institute of Contemporary
Art (ICA) at the University of Pennsylvania in Philadelphia, where she served
as associate curator.
The Underground
Museum was founded in 2012 by the artist couple Noah and Karon Davis. Its aim
has been to bring art—in particular work by Black artists—to L.A’s
under-represented communities, and has been seen as a force within the city’s
institutional scene.
Onli is taking on a co-leadership role at the Black-founded
museum with Cristina Pacheco. A nonprofit leader, Pacheco is The UM’s new director
and chief operations officer. She has been a member of the museum’s board since
2015 and transitioned to co-interim director and COO in 2020, before her
current appointment. Onli officially starts Dec. 1.
“Meg and Cristina bring the vision, collaboration, and
efficacy to bring The Underground Museum to the next level,” Karon Davis said
in a statement. “With this new powerhouse team, our bigger dreams will be
realized. I’m so excited for everyone to see what we have in store for our
community and the larger art world.”
ONLI IS A CURATOR AND WRITER. With a focus on conceptual art,
video, and performance, her practice explores the complexities of race, Black
language, and the production of space. In 2016, Onli was named assistant
curator at ICA Philadelphia. She was promoted to Andrea B. Laporte Associate
Curator in 2019. During her tenure at ICA, Onli curated “Speech/Acts” (2017) and “Colored People Time” (2019). An exhibition presented in three
“chapters,” the show was envisioned as “a profound exploration into the banal
and everyday ways in which the history of slavery and colonialism permeates the
present and impacts the future.”
Onli is looking forward to playing a pivotal role in The
Underground Museum’s next chapter. In a statement, she said: “The Underground
Museum is part of a rich legacy of Los Angeles spaces founded by Black and
Brown artists who decentered whiteness and fostered communities of
groundbreaking artists. I have been a longtime admirer of The UM and of Noah
and Karon’s mission, and am honored to be trusted to co-lead this institution
with Cristina. To be doing the work that I love within a museum that aligns
with my own ideals of art and community—which are not separate, but intricately
connected—is a dream.”
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